The chimney sweeper by william blake

In these poems, Blake contrasts the unfallen innocence of children with the sordid, repressed attitudes of the adult world—a world ruled by the church, the monarchy, and English common law. Blake viewed himself as a prophet whose task it was to shake people out of their complacent acceptance of their fallen circumstances. By choosing syphilis as the symbol for all that is wrong with England, Blake is able to condemn institutions and emotions that are sacred to most people:

The chimney sweeper by william blake

Dost thou know who made thee? Little lamb, who made thee? Songs of Experience contains many poems in response to ones from Innocence, suggesting ironic contrasts as the child matures and learns of such concepts as fear and envy.

And when thy heart began to beat, What dread hand? In what furnace was thy brain? When the stars threw down their spears, And watered heaven with their tears, Did he smile his work to see?

Did he who made the Lamb make thee? Later editions would see Innocence and Experience contained in one volume. His works did not gain much acclaim or commercial success until long after his death. Although he had several patrons over the course of his life and produced voluminous works, he often lived in abject poverty.

He focused his creative efforts beyond the five senses, for, If the doors of perception were cleansed every thing would appear to man as it is, infinite.

The chimney sweeper by william blake

He developed mythic creatures inspired by Greek and Roman mythology including Los, who represents the poetic imagination; Albion, who represents England; and Orc, who embodies youthful rebelliousness. While Blake lived the majority of his life in London, he exerted a profound impact on future poets, artists, writers, and musicians the world over.

Young William was prone to fantastic visions, including seeing God, and angels in a tree. He would later claim that he had regular conversations with his deceased brother Robert.

Noting something special in their son the Blakes were highly supportive of and encouraged his artistic creativity and thus began his education and development as an artist.

Then, at the age of fourteen Blake started a seven year apprenticeship with engraver James Basire, the official engraver to the Society of Antiquaries. From his bustling shop on Queen Street, Blake learned all the tools of the trade that would become his main source of income.

He was often sent out on assignments to create sketches and drawings of statues, paintings, and monuments including those found in churches like Westminster Abbey. After attending the Royal Academy under Sir Joshua Reynolds for a time Blake left because he found the intellectual atmosphere there too restrictive to his burgeoning artistic side.

In he obtained employment as an engraver with publisher Joseph Johnson. In Blake married Catherine Sophia Boucher Although they had no children it was mostly a happy marriage and Blake taught Catharine to read and write.

He had been writing poetry for quite some time and his first collection, Poetical Sketches, appeared in While Blake was busy with commissions he also undertook the task of creating the engravings that would illustrate his own poetry, and he also printed them himself. He experimented with an early method of creating images and text on the same plate.

His highly detailed illustrations often focus on parts of the human anatomy or fantastically imaginative creatures surrounded by various natural forms.

Often tackling difficult metaphorical themes, his characters embodying inspiration and creativity do battle with oppressive forces like law and religion. He employed techniques for decorative margins and hand-coloured the printed images, or printed with the colour already on the wood or copper plate, the paint of which he mixed himself.

This attention to the craft and details of each volume make no two of his works alike. Other works finished around this time were America: A ProphesyEurope: Inthe Blakes moved to Felpham in Sussex where William was commissioned to illustrate works by his then patron, poet William Hayley.

The chimney sweeper by william blake

In Blake was charged with sedition after a violent confrontation with soldier John Scolfield in which Blake uttered treasonable remarks against the King. He was later acquitted.Download Free Audio Books of great works by Twain, Tolstoy, Hemingway, Orwell, Vonnegut, Nietzsche, Austen, Shakespeare, Asimov, HG Wells & more.

A summary of “London” in William Blake's Songs of Innocence and Experience. Learn exactly what happened in this chapter, scene, or section of Songs of Innocence and Experience and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. In his Life of William Blake () Alexander Gilchrist warned his readers that Blake "neither wrote nor drew for the many, hardly for work'y-day men at all, rather for children and angels; himself 'a divine child,' whose playthings were sun, moon, and stars, the.

Discussion of themes and motifs in William Blake's London. eNotes critical analyses help you gain a deeper understanding of London so you can excel on your essay or test. William Blake's innovations in engraving techniques brought about his brilliant synthesis of visual and poetic art and signaled the beginning of his famous "Illuminated Books," of which the Songs of Innocence was the first and most popular.

Unfortunately, Blake's vision is generally known to the world in amputated form: because of the difficulty and expense of reproducing his original. William Blake’s volume of poetry entitled Songs of Innocence and Experience is the embodiment of his belief that innocence and experience were “the two contrary states of the human soul,” and that true innocence was impossible without experience.

SparkNotes: Songs of Innocence and Experience: “London”